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Ambient Media and Experiential Milieux: Immersive Art at the Venice Biennale

Ambient Media and Experiential Milieux: Immersive Art at the Venice Biennale
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Harvard East Asian Society Conference

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Beyond the Public/Private Divide: Global Corporate Art Museums and Discursive Power

Beyond the Public/Private Divide: Global Corporate Art Museums and Discursive Power
Contact and Response: Cultural Consciousness in Post-Maoist Chinese Art and Cinema 1983-87

Contact and Response: Cultural Consciousness in Post-Maoist Chinese Art and Cinema 1983-87
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Caméra Stylo-Flourishing on the Borderline: The “In-Between-ness” in Tang Shu Shuen’s The Arch 1969